Let’s face it: whenever you make the decision to write and publish a book, there will be consequences. No matter how well written, edited, and formatted, and no matter how compelling the cover, there will be critics. Properly receiving and learning from this feedback is crucial — particularly if you are a brand-new author.
However, it is just as important to discern the difference between constructive criticism (which is thoughtful and intended to help the writer improve) and petty criticism (which has no value other than to belittle the efforts of the author and oftentimes springs from jealousy).
One of the many reasons I joined a local Toastmaster’s chapter is to develop the ability to offer constructive criticism. While becoming competent in oral communication is a fundamental goal of membership in the organization, so is learning to become a better listener. Cultivating this valuable skill makes it possible to offer thoughtful feedback on someone’s speech, but it requires genuine interest and focused concentration. At one of our recent meetings, I took on the task of speech evaluator for the very first time as part of my effort to ease into the act of making my first speech (called an “Ice Breaker”) by starting with smaller roles first.
To say I was nervous about standing up in front of the room and making an oral critique would be a monumental understatement. There is definitely an art to providing meaningful, useful criticism designed to help a speaker acknowledge both their strengths and weaknesses in order to become an even better communicator. While I realize I have a very long way to go in this area, I appreciated the positive reviews I received from others in attendance, including the speech giver.
Although Toastmasters focuses on the development of competent communication and leadership qualities for individual members, the same principles hold true for the written word. As an author and book reviewer, I understand this well.
First, to take on the author part: I fully understand that as much as I strive to develop themes through my plots and character development in any given novel, not every reader is going to “get” them. We all process entertainment in the form of the written word (and on film and other mediums) though the prism of our own unique experiences, after all.
When I sat down to write Water Signs, I never set out to produce a tawdry romance novel, but instead a coming of age story in which sex and attitudes about sex play an integral role. My main character struggles to balance her morality while living in a society that has all but abandoned the “old-fashioned” values with which she was raised. At the same time, she’s human. She experiences the normal desires that go along with being a young woman (and as the story progresses, an older and wiser one). Hence, her inner turmoil often manifests in self-defeating and even frightening ways (e.g. anxiety disorder). Having a much more worldly boyfriend complicates her own personal growth journey and relationship with main character, Ken — not to mention other guys she dates along the way.
However, I never intended the book to be perceived as yet another cheap, formulaic romance where meaningless dialogue and a canned plot provide filler in between raunchy, explicit love scenes. Up until now, no one (at least no one that I am aware of) has viewed it that way. Most readers (those who have contacted me personally and/or posted reviews) have perceived Water Signs as a contemporary romance with plenty to say about the modern dating scene and other realities of current times.
Let me clarify: I am seeking thoughtful criticism; I’m not expecting the whole world to fawn over my book, fall in love with its two main characters, or give me nothing but 5-star reviews. That’s completely unrealistic, not to mention a hindrance to my own growth and improvement as a writer. I do, however, appreciate it when someone takes the time to point out the good (even if it’s simply an acknowledgment of better-than-average writing skills, use of literary technique, or story pacing) while (as I am learning to do at Toastmasters) identifying areas that need improvement.
Which brings me back to the importance of discernment. Constructive criticism versus petty criticism.
Are some reviewers just more thoughtful than others?
Or is it all a matter of perception based on their own personal experience (and not so much what the author was attempting to say through plot and characters)? Perhaps it’s a combination of both? Can a reader who does not fit the parameters of your target audience even offer a balanced review to begin with?
All are important considerations.
Nevertheless, we as authors simply cannot control readers’ perceptions of our work — nor should we even try. While I am incredibly disappointed in the characterization of my book as a “bodice ripper,” perhaps it will attract a whole new audience. Who knows? Guess I’ll just have to wait and see, although my guess is that readers of Harlequin romances will most likely dismiss Maddy and her entire family as hopelessly out of touch and prudish.
Unlike speeches, books are much more subjective – unless of course, they are truly unreadable due to things like poor grammar and lack of a coherent plot – for which perhaps a 1-star review is appropriate. Of course, when you hire Writestream Publishing, we’ll ensure excellence in all of these areas.
For the record, no one has accused Water Signs of either of these, although privately someone told me they hated my characters — to the point of wanting to take an ax to them. That was definitely a first.
Given that most others have had a completely opposite take, this is very perplexing. Whether you hate it, love it, or fall somewhere in between, referring to Water Signs as a “bodice ripper” completely misses the point. Which circles back to every author’s conundrum: we cannot control how others perceive our work because – as with many experiences in life – readers bring along their own preconceived ideas. In the case of my novel, maybe it’s about time a reader presented a different take on the story – whether I agree with it or not.
When I write a book review, I make an effort to specify the positive aspects, e.g. a hard-hitting scene, a compelling bit of dialogue, or the writer’s remarkable talent for drawing the reader into the story through the use of descriptive prose — whatever elements I can honestly rave about. If there are things I don’t like, or believe could use some improvement, I point them out in a constructive way. At least these are my goals when I sit down to write a critique.
Am I perfect at it? Not at all. That’s where Toastmasters comes in, along with the practice of reading and reviewing books regularly. Learn and improve by doing.
As I move forward in my own professional development with Toastmasters, I hope I’ll not only become better at critiquing (and giving) speeches, but also reading and reviewing books, and interviewing authors on my show Writestream Tuesday.
When I work with clients, I also coach them in this all-important area of book reviews (vital for our success) and handling criticism gracefully. Be prepared, but never allow the fear of criticism to stop you from writing and publishing your book. We believe everyone has a story to tell and we’re here to help you tell it.
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